In the panel’s flyout menu, choose Make Opacity Mask. Select both boxes and open the Transparency panel under the Window menu. So you should have a black box on top of a slightly larger blue box. Now draw another box right over this blue one that’s slightly inset and set the Fill color of this box to black (make sure the fill is R:0, G:0, B:0 or C:0, M:0, Y:0, K:100). Set the Fill color of this box to-you guessed it-blue. Select the Rectangle tool in the Toolbox and draw a box over the entire graphic. We also used the Pen tool to draw an additional element to our original arrow.ĩ CREATE BLUE BOX AND MASK WITH BLACK BOX Then add some simple, dotted lines using the settings in the Stroke panel, as shown here. Now add some small, meaningless numbers around the text to give the idea of measurements. Use the Selection tool to vary the size and rotate them as necessary. Just copy-and-paste numerous copies of the arrow and drag them into place. Set the Fill to the same blue we’ve been using and resize as necessary.Īrbitrarily place arrows on the lines that you drew in Step 7. This will turn the Symbol into a regular object. In the Object menu, select Expand Appearance. With it still selected, go into the Control panel and click the Break Link button. Drag-and-drop the third arrow onto the artboard. In the panel’s flyout menu, go to Open Symbol Library>Arrows. Open the Symbols panel under the Window menu. Use the Pen tool to create similar blue lines along the sides of some of the letters to enhance the blueprint effect (set the Stroke to 5 points to match the stroke on the letters). Offset the lines from each other so it doesn’t look too symmetrical.ħ ADD ADDITIONIONAL LINES AND ARROW SYMBOL This will give us the baselines illustrating the straightness of the letters. Drag a copy to the bottom of the first line of text and then drag copies to the top and bottom of the next line of text (as shown here). Press Command-C (PC: Ctrl-C) to copy this line, and then press Command-V (PC: Ctrl-V) three times to paste it three times. Note: If you can’t see the stroke, make sure the Scribble effect isn’t applied to it in the Appearance panel. Lastly, select the line and position it right along the top edge of the top line of text. Then in the Control panel, set the Stroke size to 7 pt. Set the Stroke color to the same blue color we used for the text. Hold the Shift key and click a second point to the right of the text. Next, select the Pen tool (P) in the Toolbox and click a point just above and to the left of the text. Keep an open mind-you may discover a really cool effect. At this point, you can either use the settings shown here or you can experiment to see the different results you can get. With this object still selected, go into the Effect menu, under Stylize (in the Illustrator Effects section), and choose Scribble. All you should have is a blue fill and no stroke. (Trust us, it’s there.) Then, swap the Fill and Stroke colors by clicking the bent double-headed arrow next to the Fill and Stroke color swatches in the Toolbox. This will paste the copy directly over the original, so you won’t see any change. Then, go under the Edit menu again and choose Paste in Front. Now simply set the Fill color to white.Ĭopy this text to the clipboard by going under the Edit menu and choosing Copy. Set the Stroke size to 5 pt in the Control panel. Then select the blue swatch in the Swatches panel, as shown here, to set the stroke color. Go under the Window menu and choose Swatches to open the Swatches panel. Near the bottom of the Toolbox, click on the Stroke option to make it active. Select all the text with the Selection tool (V). We also typed four spaces before “WORKS” and tightened up the tracking by selecting all the text with the Type tool and pressing Option-Left Arrow (PC: Alt-Left Arrow) a few times. We have simply typed in “HOUSE WORKS” on two lines. Enter one or two lines of text using any word(s) you like. In the Control panel, set the font to Arial Black and the text size to 285 pt. Select the Type tool (T) in the Toolbox and click on the artboard to set a text object. This is a quick demo using a blend of live effects, filters, and even a little gradient mesh to create a seemingly complex logo treatment.īegin by setting your text. This blueprint technique has been seen just about everywhere-even on the cover of The Photoshop Help Desk Book by Dave Cross.
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